An odd fashion faux - public address system that has stuck around for long than it should have .

The 19th century introduced a social norm that has become a debatable topic for a century and a half: nowhite after Labor Day.

Most people don’t understandwherethis trend came from, but it’s been passed on for generations and in many circles, considered a fashionfaux pas(though, who actually follows it?).

As we approach the long weekend, I did some digging to understand the origins of the “no white after Labor Day” rule.

White was once a symbol of wealth and leisure.

According toMarie Claire, there’s a theory that the Labor Day rule came in the late 19th century as socialites who came from generational wealth took issue with the “nouveau riche,” i.e. those who only recently came into money.

There was a practical reasoning for this, though. Since garments like tank tops and shorts weren’t considered sanctimonious, lighter clothes in white were easily breathable during the summer months.

And since the long weekend in September marks the end of summer, the “no white after Labor Day” rule was born.

As gloaming approach , white clothes went out of style in exchange for sour colour .

White clothes, in general, were more susceptible to showing dirt and stains in cities at a time when the roads were covered in dirt. So, wearing white also became a means for the upper class to distinguish themselves from the working class – those who worked in labor, specifically – and suggested that they had workers who would handle tasks that may get their outfits dirty.

Basically, if you were rich enough to leave the city in the summer, you wore white leisurely attire as a means to stay cool. Meanwhile, those who remained in the city throughout the summers wore darker clothes that could disguise the dirt.

However, fashion was and still is an anchor for social status.

As a result, fashion pillars such asVogueproliferated the rule through imagery in print, and their layout included illustrations of women wearing light-colored or white clothes during this season. “White, while perfect for the country, it is, because it soils so easily, impossible for town wear,” reads an article fromVoguein 1925. Not to mention, fashion houses also introduced seasonal collections that reflected this trend.

At the same time,Voguealso introduced “winter whites” on their models throughout the seasons. Interestingly enough, it was also around this time when sanitation workers wore all-white uniforms similar to those who worked in the medical field.

The rule began to fade as time passed, and by the 1960s and 1970s, fashion became much bolder, ignoring old traditions and embracing a new age.

However, even after the fashion world shook off the “no white after Labor Day” rule, it remained a part ofpop culture. The rule eventually transformed into “no white shoes after Labor Day.”

There was the final setting in 1994’sSerial Momwhere   Beverly Sutphin scolds one of the juror for wearing white shoe after Labor Day and fatally lash out her .

And who could forgetthishilarious clip in 2005’sDukes Of Hazardwhen Boss Hogg was confronted by a man in jail about his all-white attire.

But these days, it’s hard to find anyone who actually follows this rule anymore. In fact, it feels like there are hardly any rules in fashion as a whole.

So ifJared Letocan get away with dressing up as a cat atthe Met Gala, you’ll be fine to wear white post-Labor Day.

"A painting of a young woman in a long, white dress, standing with one hand holding a flower. The painting is titled 'Symphony in White No. 1' by James Abbott McNeill Whistler."

Polar Entertainment Corporation/Savoy Pictures / Viayoutube.comThere was the final scene in 1994’sSerial Momwhere Beverly Sutphin scolds one of the jurors for wearing white shoes after Labor Day and fatally attacks her.

Three women in period dress sit at a table set for tea in a vibrant garden with a cottage in the background

A woman stands on a tennis court in Victorian-style attire, including a hat and a long white dress, holding a tennis racket

A vintage photo of a protest march with men, women, and children carrying American flags and signs, including "Wives and Children of the Strikers" and "Give Us a Living Wage Not Charity."

Two women, dressed in elegant 19th-century attire, are seated and engaged in conversation in a richly decorated sitting room with framed art on the walls

Person posing on the red carpet in a white, cut-out dress at the Breakthrough Prize event. Background shows text "Breakthrough Prize" and "Scientists Changing the World"

A vintage Vogue magazine cover from August 1893 showing an illustration of a woman in a garden scene, captioned "A Summer Butterfly."

Three women in elegant white gowns, one standing behind a red couch while the other two are seated, looking at each other. Names are not identifiable

A person in work attire is emptying a street bin into a wheeled cart in an early 20th-century urban setting, with horse-drawn carriages in the background

Cardi B wears a white gown with a hood and high slit while holding an award at the American Music Awards on the red carpet

Jared Leto dressed in a white fluffy outfit holding a large cat head on the red carpet at an event, surrounded by photographers and attendees