I ca n’t believe how beautiful some of these dresses are .

1.Edith Head designed the costumes forSweet Charityin 1969. Here’s her sketch of Shirley MacLaine’s character for “I’m a Brass Band.”

Here’s what it ended up looking like for the film. While there’s no baton and the boots aren’t heeled, it seems pretty close to Head’s original drawing!

Here’s what they look like next to each other:

2.Here’s Head’s sketch ofAudrey Hepburnas Princess Ann inRoman Holiday.

Here’s what she looked like in the film. It’s totally spot-on! Even the necklace and the tiara are exactly like the sketch.

And this is a side-by-side so you can compare nice and easily:

3.Here’s the sketch ofElizabeth TaylorinA Place in the Sun. Edith Headthought thesilhouette of this gown, a tight bodice and full skirt, would be a silhouette with staying power.

Here’s the side-by-side:

4.Here’s what the sketch looked like for Mary Martin’s gown inThe Great Victor Herbert. Head was trying for an 1890s evening dress.

Here’s what it looked like in the movie: fan and all!

And here they are right next to each other:

5.This is the sketch Cecil Beaton created forBarbra StreisandinOn a Clear Day You Can See Forever.

Here’s what Barbra looked like in the film. Notice that the long gloves were replaced with long sleeves, and the sash in the middle was replaced with a drawstring.

Here’s the side-by-side for comparison:

6.Initially, I thought this sketch was for a bridal gown inYou Were Never Lovelier.

However, with the flower headpiece swapped out for the wide-brimmed hat, Rita Hayworth looks much more like a bridesmaid.

Here’s what they look like right next to each other:

7.Here’s the sketch for Marlene Dietrich’s character in 1937’sAngel.

Here’s what she looked like in the film. This dress looks like it weighs about 30 pounds.

Here they are side-by-side:

8.Here’s a sketch of Eleanor Whitley’s gown forTurn Off the Moon.

And here’s what it looked like on Eleanor Whitley. If you had shown me that dress and told me it was yellow, I wouldn’t have believed you.

9.Here’s the sketch for Ginger Rogers’s dress inIt Had To Be You.

Here’s what the dress looked like in real life. She’s even posing the same way the sketch is!

Here’s a little side-by-side for you:

10.Here’s what Edith Head had in mind for Ellen Drew’s character inThe Mad Doctor.

Here’s what she looked like in the 1940 flick. Notice the had was swapped for something more wide-brimmed and the collar was made larger than what the sketch had.

Here’s what the frocks look like next to each other:

11.Edith Headwon her firstAcademy Award for her work on 1949’sThe Heiressstarring Olivia De Havilland as Catherine. Here’s what the sketch of her ball gown looked like.

Here’s what it looked like in the actual film. It looks like a necklace was added but the earrings were omitted.

And here’s the side-by-side:

12.The Big Broadcast of 1938had a star-studded cast. Here’s a costume sketch of Dorothy Lamour’s character.

And here’s what that costume looked like in the movie. Pretty spot-on to me!

A person striking a pose in a classic marching band drum major uniform with tall boots and a feathered hat

Shirley MacLaine in a marching band uniform with a white hat, red jacket, black shorts, and red boots, dances in front of two drummers beside a fountain

Sketch of Audrey Hepburn in a gown by Edith Head for "Roman Holiday". Handwritten names of Audrey Hepburn and Edith Head are visible

Audrey Hepburn, in an elegant ball gown and tiara, shakes hands with another woman in formal attire during a grand event with others looking on

Fashion sketch of Elizabeth Taylor wearing a strapless, embellished ball gown. Text: "Elizabeth Taylor," "A Place in the Sun," "1951," and "Edith Head."

Elizabeth Taylor in a formal gown with intricate detailing, standing next to a pool table

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Woman in elaborate vintage dress with ruffled layers and flower details, holding open heavy curtains in a theatrical pose. I don't know who she is

Barbara Streisand in a long, flowing dress with a bonnet, standing beside a sketched drawing of herself in the same outfit

Barbra Streisand stands beside a sketch of herself in an elegant, long-sleeved dress with puffed shoulders and a bonnet, matching the illustration

Barbra Streisand stands next to a sketch of a woman in a similar victorian-style dress with a bonnet

Sketch of a woman in a long, elegant dress with a tight-fitting bodice and flared skirt holding a bouquet, signed by Jozef J. Mašek

A woman dressed in a long-sleeved, button-down dress and a wide-brimmed hat with a veil, stands indoors, looking down at her hands

A vintage illustration of a woman in an ornate, floor-length gown with detailed patterns and holding a fur stole

Marlene Dietrich in an elegant, form-fitting, beaded gown with a luxurious fur stole, posing gracefully indoors

Sketch of a woman in a long, elegant dress with puffed sleeves and intricate detailing. The dress has a fitted bodice and flows into a full skirt

Three unidentified people stand together, dressed in formal attire. The person in the center wears a long dress with white fur accents. The men wear suits

Sketch of a woman in a gown with flowing lines resembling leaves or branches. The outfit has an elegant, vintage style

Ginger Rogers wearing an elegant gown with floral patterns, standing beside a portrait of herself in the same dress

A fashion sketch by Edith Head, featuring a woman in a checkered blazer, knee-length skirt, and hat, signed by the designer

Two people in vintage attire, including a man in a suit and a woman wearing a large hat and a patterned dress with white accents, standing in front of an office door

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Unknown actress in an elegant, voluminous 19th-century style gown featuring ornate detailing, holding a fan, and standing in a lavishly decorated room

A stylish figure stands in a vintage outfit with a cinched waist, wide belt, and matching hat, exuding elegance and poise. No visible text or identifiable persons

Dorothy Lamour wears a striped scarf and hat, next to someone is in a white naval uniform. They have focused expressions